You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Click ‘Customise Cookies’ to decline these cookies, make more detailed choices, or learn more. The film features artist Abramovi on a journey through Brazil in pursuit of what she calls people and places of power and the links between art and spirituality. Third parties use cookies for their purposes of displaying and measuring personalised ads, generating audience insights, and developing and improving products. This includes using first- and third-party cookies, which store or access standard device information such as a unique identifier. If you agree, we’ll also use cookies to complement your shopping experience across the Amazon stores as described in our Cookie Notice. Official Selection at the BFI London Film. We also use these cookies to understand how customers use our services (for example, by measuring site visits) so we can make improvements. Marina Abramovic in Brazil: The Space in Between 2016 1 hr 28 mins In search of personal healing and artistic inspiration, Marina Abramovic travels through Brazil experiencing sacred rituals and exploring the limits between art and spirituality. If any of these efforts matched the transfixing power of her best-known performance pieces, The Space in Between doesn’t capture them.We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences and to provide our services, as detailed in our Cookie Notice. Now and then, Caue Ito’s consistently good photography finds the artist sitting alone in a carefully composed tableau, seemingly trying to harness the energy she’s encountering into something that can be called art. Abramovic’s mission seems to argue against this interpretation. Some, in considering the short history of performance art, might see in its strange self-inflicted trials a new way of transcending the physical world - a collection of experiments meant to replace ancient rituals, which relied on gods and spirits, with new ones that don’t require such beliefs, and perhaps even negate them. Marina Abramovic travels through Brazil, in search of personal healing and artistic inspiration, experiencing sacred rituals and revealing her creative process. Frankly, she sometimes looks like a dilettante whose money and connections allow her to dabble in a dozen cults without giving herself fully to any of them. In search of personal healing and artistic inspiration, Marina Abramovic travels through Brazil experiencing sacred rituals and exploring limits betwe. The route is comprised of poignant encounters with healers and sages from the Brazilian countryside, exploring the limits between art, immateriality and. The humility and earnestness Abramovic brings to the quest may endear her to us, but they make her a less interesting guide through this world of spirits than we’d expect. Marina Abramovic travels through Brazil, in search of personal healing and artistic inspiration, experiencing sacred rituals and revealing, for the first time, her creative process. So this road trip manages neither to educate us in the way a journalist’s documentary might nor to transform the rituals it observes by reinterpreting them through its subject’s eyes. But the film never lingers very long, and Abramovic is largely a passive participant in each new setting. Marina Abramovic travels through Brazil in search of the spiritual forces of nature that are embedded in the culture of native Brazilians. These sequences, shot all over the country, often contain fascinating material.
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